altitudeart

 
       

 

CURATORS

 

 

 

Anna Clabburn

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Education

1997
Master of Arts - (Fine Arts), University of Melbourne (Honours)
2001

Master of Environmental Science - Monash University (Honours)

Key Professional Achievements
  • 2007/8: awarded Regional Arts Victoria grant for environmental arts project at Seymour Hospital - group initiative of ‘The 3 Graces Arts and Environment projects’. Mural installed Feb 2008.
  • 2002: Asked to join consultant committee on Museums Australia’s new Sustainability Policy – released 2003 (a new initiative for the Australian arts community)
  • March 2000 – Sept 2002 : Appointed inaugural Victorian Representative for Artbank, the Australian Federal Government’s contemporary art rental collection. (see website www.artbank.gov.au for more information)
  • From December 2001 Volunteer contributor to the structure of new tertiary course at Mo nash University, Graduate School of Environmental Science: ‘Social and Sacred Ecology’, seeking to explore connections between people, place, meaning and environmental activism. Responsibilities involved organising and running wilderness camp activities and interactive group exercises (course details available on request
  • 1999. Awarded a Museums Australia, Professional Development Grant, for three weeks travel to Scandinavian galleries and museums (assessing public programming and degrees of awareness about the need for Environmental Sustainability in a Museum context), traveled June-July 2000. Research culminated in a written report to Museums Australia (Victorian branch) through Mo nash University, Greening Museums and Galleries, Feb 2001
  • 1999 Invited to curate opening exhibition for newly renovated regional gallery, McClelland Art Gallery. Exhibition, Organic: Sculptural Form / Natural Landscape (catalogue available)
  • 1998. Awarded an Arts Victoria Regional Arts Fund grant to curate the exhibition, Resourceful; An Australian Ethos, Ararat Gallery 1998 (catalogue available)
Emploment History
  • Freelance curatorial and writing projects: 1994 – present (see below). Including catalogue essays, magazine articles, education packages (publications list available on request)
  • 2000-2002: Inaugural Victorian Representative for Artbank. Key duties: client services, marketing, public presentations, curatorial advise
  • Regular arts reviewer for various newspapers and magazines including The Australian (March 2000 - 2003), The Age (October 1997 – June 1999), The Herald-Sun (May – October 1997) , The Melbourne Times (1993- 4)
  • May 1995 – June 1999. Inaugural Public Program Coordinator, NETS (National exhibitions touring support) Victoria. Key duties: Devising and implementing program of events to promote contemporary art in regional Victoria - included program budget management, professional development for gallery staff, artists activities, forums, lectures, and written educational kits to accompany exhibitions toured by NETS Victoria. Planning and running a program of Professional Development Workshops for Gallery and Museum personnel around Victoria.
  • January 1992 – December 1993. Assistant Curator/ Assistant to the Director, Heide Museum of Modern Art, Bulleen. Key duties: Assisting curator in all aspects of exhibition planning and management, managing gallery volunteers, writing and research, educational talks and publications, public programs, general collection management .

Select Freelance Projects

  • 2007/8 Curator, The Faerie in Victorian art and imagination(working title), exhibition commissioned for Bendigo Art Gallery – scheduled to commence March 2010.
  • 2007 Curatorial essay, Robert Hollingworth, The Wildman of Tallarook, Tallarook
  • 2007 Research position, Victorian Tapestry Workshop – towards a ‘Tapestry of light’ to be commissioned by artist Irene Barberis
  • 2007 Essay, The theatre of making history, travelling exhibition book, Victorian Tapestry Workshop
  • 2005-6 Editing, autobiographical memoirs, Tom Lowenstein, unpublished manuscript
  • 2006 Project Officer, Landcare ‘Balanced Healthy Soils’ project, northeastern Victoria (6 months)
  • 2004-5 Membership Officer, Painters and Sculptors Association, Melbourne branch.
  • 2004 Curatorial essay, Aboriginal artists exhibition (Ngukurr artists) with Simon Normand, From stone country to salt water, published as catalogue and book.
  • 2004 Curatorial essays, 2 solo exhibitions: Roberts Jacks & Paul Partos, Tarawarra Museum of Art, Yarra Valley, Victoria.
  • 2004 Curator group exhibition, Lake Gnotuk, an embedded history (touring environment/art project promoting protection of unique volcanic lake precinct)
  • 2002 Voluntary contribution to a promotional window for Richmond Greens campaign leading up to the State election (Gemma Pinnell)
  • 2002 Voluntary contribution to revision of Victorian Greens Arts Policy
  • 2002 Voluntary contributor to new course at Mo nash University, Social and Sacred Ecology (details above)
  • 2002 Education Package for Ewing Collection, touring exhibition, Potter Museum of Art, commencing September 2002
  • 2001 Voluntary Coordinator of public art project at the 2001 Treeproject ‘Blue Devil Day’, community arts festival 4/11/02
  • 1999 GuestCurator, Organic: Sculptural Form/Natural Landscape: Opening exhibition for re-launch of McClelland Gallery and Sculpture Park, Langwarrin, Vic
  • 1999 Education Package for Violet Teague, touring exhibition, for University of Melbourne, commencing July 1999
  • 1999 Education Package for Red Planet & Leica Documentary Photography touring exhibitions, NETS Victoria
  • 1999 Artist entry for Gayle Maddigan, for Oxford Companion to Aboriginal Art & Culture (OUP, 2001)
  • 1998 Education Package for University of Melbourne Clarice Beckett survey exhibition, toured regional galleries in 1999
  • 1998 Editor/Coordinator of published postcard kit promoting Victorian public galleries and museums, for Arts Victoria (for ICOM 1998)
  • 1998 Guest Curator for group exhibition, Resourceful; an Australian ethos, at Ararat Gallery in conjunction with 30th anniversary celebrations
  • 1997 Education Kit for exhibition of work by Caroline Williams: There (exhibition touring New Zealand, organised by Ian Potter Museum of Art)
  • 1997 Educational Kit for Vizard Collection Touring Exhibition ( University of Melbourne Museum of Art), Bendigo, Hamilton, Geelong Art Galleries
  • 1997 Supplement on public art in Melbourne for Art & Australia (June 1997 issue) funded by the City of Melbourne.
  • 1997 and /96 Catalogue essays for the 1996 & ‘97 Moet & Chandon Touring Exhibitions
  • 1996 Curator of exhibition, Simon Normand - The Serpent is in the Garden, Waverley City Gallery (Jan -Feb.1996).
  • 1995 Curator of exhibition Tim Guthrie: A Vision of the Land, Ararat Gallery (Dec 1995 - Jan 1996), sponsored by Landcare.
  • 1994 Guest Curator - Melbourne International Festival of the Arts, exhibition of Botanical painting and illustration, ‘Classifying Nature’, 12 - 30 October 1994 at Westpac Gallery, the Melbourne Arts Centre.
  • 1994 Coordinator/Writer of Education Kit for Educational Media Australia (EMA),collating new kit on Australian art from the period 1981 - 91(photo CD/ imagesand accompanying text with audio notes) and revising earlier kit 1970 (published 1997)